įantAsia 1997 was held from July 11 to August 10. The 1996 edition of the festival lasted for a whole month and featured six months worth of entirely Asian fantasy and action movies with a significant prevalence of Chow Yun-fat and Jet Li retrospectives. Fantasia by years 1996–2005 įant-Asia 1996 was launched by 'three Hong Kong new wave fanboys' Martin Sauvageau, André Dubois and Pierre Corbeil, who felt a growing local interest in Asian films and the desire to watch them on the big screen. Similarly, Fantasia and the Frontières helped Astron-6 and financed The Void, Radius, The Radius, and many more. Their Turbo Kid was funded and produced thanks to the Frontières. They even confess to forging documents to attend non-PG movies. For example, Roadkill Superstars were among the very first visitors. In cinematic circles they talk about an outstanding Fantasia Generation of creators, who grew with the festival. In its more than two decades of history, Fantasia has made a significant contribution to Canadian film culture, built its audience and helped arthouse cinema emerge from the underground. Frontières was also offered to host its section of genre cinema at the Cannes Film Festival. In 2016, Frontières announced joint program with the Cannes's Marché du Film: together they are to select and present promising projects to potential partners. In 2013, Frontières was invited to host a European section at the Brussels International Fantastic Film Festival. For its first season, 12 projects were selected and then presented to producers and distributors. In 2012, Fantasia founded Frontières platform to promote genre films and help promising projects. New Flesh section is now considered "one of the world's premier launching pads for new voices in genre cinema". Since the mid-2010s, Fantasia has sold more than 100,000 tickets annually. Only when its audience surpassed that of WWF and FNC, it attracted governmental attention and further funding. Founded by cinephiles and initially based on sheer enthusiasm, it was supported only with private money for more than a decade. By 2020, Fantasia had already been recognized as one of the most important cinema fests in North America. The atmosphere is famous for its informal vibe, the screenings are open, no VIP zones are secluded and even the world famous directors and actors freely blend in the crowd. The fest has only two indoor locations, lots of events are held in usual cafes, restaurants, and karaoke-bars. Festival regulars say that audiences always meow loudly before the screening of feature films, a tradition that is still alive today. The audience at Fantasia is considered to be open-minded people with a good sense of humour and good, albeit somewhat unconventional, taste. Bill Plympton treasures its anti-Hollywood atmosphere. Guillermo del Toro calls Fantasia a shrine to all geeks and a feast for those who love things completely unlovable to the most. According to Davis, Fantasia's mission is to open niche, genre, noncommercial movies from independent auteurs to the audience, and give them deserved attention. Since 1997, Mitch Davis has been the festival's creative director. In 2016, a new section Documentaries From the Edge was established. Every year the program offers master-classes and special screenings, as well as world and American premieres, press-conferences and meetings with actors and directors. Apart from Cheval Noir, the festival includes New Flesh, Séquences, Camera Lucida, Satoshi Kon prize, and several other sections, while in the wrap of the event the audience. įantasia flagship section is named Cheval Noir, the winners are awarded with the festival's mascot statuette, a mighty black pegasus. It grew from the Asian Film scene in Montreal and still has a significant shift to Asian cinematograph. In 2016 the Frontières announced collaboration with Marché du Film led by Cannes Film Festival.įantasia focuses on niche, B-rated and low-budget films of various genres, from horror to science fiction, most of them non-PG. Since 2012, the festival has also held the Frontières cinema market that allows promising projects to find potential producers and distributors. Fantasia has launched the careers of many modern auteurs. Its mission is to promote genre, anti-Hollywood cinema and assist independent filmmakers. Regularly held in July/August, by 2016 its annual audience had already surpassed 100,000 viewers and outgrown even the Montreal World Film Festival.īy virtue of the reputation developed over the last two decades, Fantasia has been called the "most outstanding and largest genre film festival in North America". It focuses on niche, B-rated and low budget movies in various genres, from horror to sci-fi. Fantasia International Film Festival (also known as Fantasia-fest, FanTasia, and Fant-Asia) is a genre film festival that has been based mainly in Montreal since its founding in 1996.
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